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CD Recording for Macintosh Common Questions
1. How much information can a CD hold? When you copy data to a CD, you must take care that the your data does not exceed the capacity of the CD you are recording to. Due to the audio origin of CDs, the amount of information a CD can hold is measured in minutes:seconds:sectors. Each second contains 75 sectors, each of which can hold 2048 bytes (2 kilobytes) of Mode 1 user data. Recordable CDs come in 21- (80 mm diameter), 63-, and 74-minute sizes (both 120 mm diameter), which can contain the following amounts of data in the CD-ROM format:21 min x (60 sec) x (75 sectors) x (2 kbytes) = 189,000 kilobytes = 184 megabytes 63 min x (60 sec) x (75 sectors) x (2 kbytes) = 567,000 kilobytes = 553 megabytes74 min x (60 sec) x (75 sectors) x (2 kbytes) = 660,000 kilobytes = 650 megabytes Factory-recorded CDs can hold up to 74 minutes of audio or 650MB of data. There are several factors that you must subtract for when calculating the total amount of data that you can fit on a CD:Session Lead-In and Lead-Out. The first lead-in and lead-out on a disc are not usually taken into consideration when calculating space available on disc; they are considered to be outside the usable disc area. If you make a multisession disc, you will need to consider the space used for subsequent lead-ins and lead-outs. Logical Block Size. Files on CD do not occupy a space exactly equal to their original size, but usually a bit more. This is because the minimum recordable unit on a compact disc is the logical block. Logical block size depends upon the size of the drive and is calculated by an extensive formula. The larger the drive, the larger the logical block size, hence the more space a given file will take up. For more info, see the article number 8647 in the Macintosh Technical Info Library in Apple's Web site. Files on CD do not occupy a space exactly equal to their original size, but usually a bit more. This is because the minimum recordable unit on a compact disc is the logical block. Logical block size depends upon the size of the drive and is calculated by an extensive formula. The larger the drive, the larger the logical block size, hence the more space a given file will take up. For more info, see the article number 8647 in the Macintosh Technical Info Library in Apple's Web site. ISO 9660 and Yellow Book Overheads. In ISO 9660, just as in the HFS file system, directories are also files, and also take up space. The Yellow Book specifies that the CD data starts after a pause of two seconds. This means that the first two seconds on a CD are not available for user data. So, from the theoretical capacity of any CD you must subtract:[(2 sec) x (75 sectors) x (2 kilobytes)] = 300 kilobytes
Furthermore, the ISO 9660 file structure needs space for its structures,
and the first 16 sectors
are also reserved for system use. More sectors may be needed to store the path tables, or the
root directory if its size exceeds one sector as files are added.
74 min x (60 sec) x (75 sectors) x (2352 bytes) = 783,216,000 bytes
!
Possible Causes of Buffer Underruns
Hard Disk
-- "Dumb" thermal recalibration.
-- Fragmented hard drive.
-- Not enough space in temporary directory.
Hardware
-- Slow source devices.
-- Source devices that transfer data in bursts.
-- Inability of the devices to sync properly.
-- Overall system configuration.
-- Computer unable to allow fast enough data transfer.
-- Old drivers.
Extensions and Control Panels
-- Any program that may activate on its own
-- Anti-virus software
-- Screen savers
-- Networks
-- System sounds
-- Animated icons
Networks
-- Recording across the network (usually too slow to maintain adequate throughput speed).
-- Incoming e-mail or faxes.
-- Other people accessing your computer.
Files to Be Recorded
-- Recording many small files.
-- Damaged source files (data loss).
-- Trying to record files in use by the system or other applications.
Other
-- Copying from a CD that is scratched, dirty, or damaged.
-- Recorder malfunction.
Checks / Prevention
-- Disable or remove everything in the computer EXCEPT the operating system, the recording
software, and the drivers for your source devices.
-- Defragment your hard drives at least once a week to prevent files from scattered across the
hard drive.
-- Do not record across a network. Copy the desired files to your local hard drive.
-- Log out of any networks if possible
Network.
-- For best results use SCSI 2 source devices.
-- Disc to disc copying, requires a SCSI 2, fully ASPI-compliant CD-ROM drive. We recommend
at least a 4x. Copying audio requires a source CD-ROM drive which supports digital audio
extraction.
-- Make sure your hard drive does Smart Thermal Recalibration. (that is, that it won't recalibrate
if the CPU is being used).
-- Record at a slower speed.
-- Write an ISO image to the hard disk first, if you have enough hard drive space
-- Always set audio to write at 1x.
-- Do not try to copy empty directories, zero byte files, or files that may be in use by the system
at the time.
-- More than 10,000 very small files should be written to an ISO image first or recorded at 1x if
possible.
-- The temporary directory should always have space free at least twice the size of the largest
file you are recording.
-- Try a different hard disk and /or gold recordable disc.
Defective media can either be a bad disc, a bad lot of discs, or an unsupported brand of media
(not all CDR media works the same on all CDR drives at this time). Pinnacle Micro supports the
following brands of media for the RCD-1000/5020/5040 series: DOT, Taiyo Yuden, Mitsubishi,
Sony, 3M, TDK, Verbatim, & Kodak Infoguard. The RCD-4x12 supports as of this writing: Mitsui
Toatsu, Kodak, Taiyo Yuden.
Verify that the amount of data you are trying to record does not exceed the capacity of the
disc. Most of the time, your recording software will prevent you from making that mistake, but
the calculations are purely theoretical when estimating the space available. It has no way of
adjusting for previously-failed sessions or bad blocks on the media. These factors can cause
the software to incorrectly calculate the remaining free space which will differ from what is
actuallyfree. Check by looking at the recording side of the media. Where the drive writes to
the media, a visible color change to a lighter shade occurs on the disc. It begins on the inside
edge and works its way towards the outside edge. Look at the outside edge of the disc and
guesstimate how far from the edge the lighter shade stops. If it goes right up to the edge of the
disc, you attempted to records too much data.
The next most common cause is a dirty lens within the drive which prevents the laser from
focusing on the surface of the media. Pinnacle Micro recommends using a can of compressed
air to blow out the inside of the drive through the front access door or tray.
A servo tracking error may also occur if the ambient temperature inside the mechanism itself is
too high. If your drive is external, remove the filter from the back of the drive and if clogged
with dust, use compressed air to clean it out. With the filter still removed, confirm that the fan
works when the unit is powered on. If not, contact Pinnacle Micro's Technical Support.
sector are available for user data. Mode 2, used in CD-I and CD-ROM
XA, has two forms: Form
1 is similar to Mode 1, as it is also used to record data that requires error correction; Form 2 is
used for recording information such as sound or images which do not require such extreme
precision. Since less error correction is needed, more bytes in the sector can be freed for
information storage, resulting in a data area of 2336 bytes per sector.
Uses for multisession include periodically backing up quantities of data less than the full
capacity of a disc, or distributing data which is periodically updated. Because only multisession
CD-ROM drives can access all the data on a multisession disc, it's best to consider such discs
for use only where you have some certainty or control over what system will be used to read
them. If you have a strong need to distribute data on multisession discs -- you send discs out to
clients or colleagues, they send them back to be updated, and then you send them out again --
you should ensure that all the interested parties will be able to read your multisession discs. A
simple test would be to make a multisession disc (as described below) with directories A
through M in the first session, and directories N through Z in a second session. Send that disc
to whoever will need to read your data; if they can see all the way to directory Z, you're all
right.
When you record the first session of a disc and close the session, the directory structure and
the addresses of the files on disc are recorded within the data area of the session in the ISO
9660 format. When you want to add data in a subsequent session, the filename and directory
structure for the new session can include references to files and directories which were
actually recorded in the previous session -- this is known as linked
multisession. The files
already on disk are not re-recorded in the new session; only their addresses are included in
the new session's logical structure. These addresses can be carried forward in additional
sessions, so that all files recorded on the disc are shown as if they were part of one file
system, even though they may have been recorded in many different sessions.
You can even overwrite files already recorded on disc. Because CD is a write-once medium,
you cannot really delete or replace files on disc, but you can virtually do so by writing a newer
version of the same file (with an identical filename and directory path) into a new session on
the disc.
There have been misunderstandings and misinterpretations of the standard, largely for
historical reasons. Multisession recording was first used by Kodak for Photo CD, because one
roll of film does not fill up a Photo CD disc. When you take your disc and a new roll of film to be
Photo CD'd, the new photos are added in a new session, which is linked to previous sessions
so that you can see all the photos on the disc, no matter how many sessions they are recorded
in.
Kodak chose CD-ROM XA for its disc format for reasons which had nothing to do with the
Orange Book standard. But because Photo CD was the first reason that CD-ROM drive
manufacturers had to create multisession drives, some assumed that the Kodak way to do
multisession, (CD-ROM XA), was the ONLY way. They accordingly wrote software drivers
which assume that, to be multisession, a disc must also be XA. When one of these drivers
sees a disc which is not XA, it assumes that the disc is also NOT
multisession, and it tells the
CD-ROM drive to read only the first session on the disc. The result is that a multisession disc is
read as if it were a single-session disc, and you see only the data in the first session.
The drive manufacturers have largely resolved the problem in newer drives and drivers, but if
you record a multisession disc in CD-ROM format you run the risk that some older drives, even
if multisession, may not read beyond the first session on the disc. If you need to share
multisession discs with others, you should test to see which format their CD-ROM drives can
handle, or, to be on the safe side, write your disc in the CD-ROM XA format.
You also need to have at least System 7.5.3 installed. Make sure that the extension called 'Apple CD-ROM' is at least version 5.1.2.
WARNING:
You cannot mix formats on the same disc; a disc containing both CD-ROM and CD-ROM XA
sessions would be unreadable on most drives.
Unfortunately, there are compatibility problems with some CD-ROM drives, especially older
ones, and CD-Recordable discs. Some CD-ROM drives' lasers were not calibrated to read
recordable discs, whose surface is different from that of factory-pressed discs. If your CD-
ROM drive reads mass-produced (silver) CDs but not recordable CDs, check with the CD-ROM
drive manufacturer to determine whether this is the problem. In some cases an upgrade is
available which will resolve the problem.
The combination of disc brand and CD recorder can also make a difference. The recordable CD
media we support as of this date is (DOT, Taiyo Yuden, Mitsubishi, Sony, 3M, TDK, Verbatim).
The "Disc-At-Once" feature is selectable through the preferences menu.
Another reason you may hear pop's between tracks, is because the AIFF file was created
improperly, or it is corrupt. Some early shareware audio editing software had problems saving
AIFF files properly, that caused pop's to appear between tracks, and at other various points
throughout the songs. These files were corrupted by the editing software. This particular
cause rarely happens any more.
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